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The Perseverance

ebook
1 of 1 copy available
1 of 1 copy available

Featured on NPR's Morning Edition

A Best Book of the Year at The Guardian, The Sunday Times, Poetry School, New York Public Library, and Entropy Magazine

Winner of the Ted Hughes Award, Rathbones Folio Prize, and Somerset Maugham Award; finalist for the Griffin Poetry Prize and Reading the West Book Award

In the wake of his father's death, the speaker in Raymond Antrobus' The Perseverance travels to Barcelona. In Gaudi's Cathedral, he meditates on the idea of silence and sound, wondering whether acoustics really can bring us closer to God. Receiving information through his hearing aid technology, he considers how deaf people are included in this idea. "Even though," he says, "I have not heard / the golden decibel of angels, / I have been living in a noiseless / palace where the doorbell is pulsating / light and I am able to answer."

The Perseverance is a collection of poems examining a d/Deaf experience alongside meditations on loss, grief, education, and language, both spoken and signed. It is a book about communication and connection, about cultural inheritance, about identity in a hearing world that takes everything for granted, about the dangers we may find (both individually and as a society) if we fail to understand each other.

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    • Publisher's Weekly

      Starred review from January 18, 2021
      “All good words in sign are said with the thumb,” a sign language teacher declares in Antrobus’s moving debut. Exploring his early experience of deafness, Antrobus invites the reader to feel the frustration and emotional complexity of navigating through the world: “I was a broken speaker, you were never a broken interpreter.” Language and communication become touchstones of the collection; poems like “Aunt Beryl Meets Castro” evoke Jamaican patois (“Listen listen, you know I/ met Castro in Jamaica in/ ’77 mi work with/ government under Manley”). Equally memorable is Antro-bus’s consideration of his embattled identity: “There is such a thing as a key confidently cut/ that accepts the locks it doesn’t fit.” However, it’s his evocations of his late father, a Jamaican immigrant who battled alcoholism and faced British policemen “who didn’t believe he belonged/ unless they heard his English,/ which was smooth as some uptown roads,” that gives the collection its heart. What might be gimmicky or sentimental—the poem “Thinking of Dad’s Dick,” for instance—becomes moving and memorable: “He knew he wouldn’t live/ to see me grown... He had to give,/ while he could, the length of his life to me.” In these pages, Antrobus’s evocative, musical honesty is unforgettable.

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